Discover gold in Melbourne

Joyaviva is situated in an art gallery, strict rules apply to touching the art works. But there are some exceptions.

Sarah Read’s This Too Shall Pass is a series of tags attached to cards with images of the Christchurch earthquake. They have been lovingly stitched by members of the New Zealand jewellery community in solidarity with The National, a jewellery gallery which lost its premises in the quake. For $10, you can take one of these cards away. It makes a touching gift for someone experiencing another kind of shock, and in the process you can discover gold underneath.

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If you are interested in obtaining other charms, refer to the website. Though if you look closely through the materials in the gallery, you might be able to obtain a gold charm for yourself.

Meanwhile, feel free to do some flower arranging.

Joyaviva is on at RMIT Gallery, 344 Swanston Street Melbourne, until 24 March 2012 (hours Mon-Fri 11-5, Thur until 7, Sat 12-5)

Susan Cohn’s opening remarks

Susan Cohn opening Joyaviva at RMIT GalleryMelbourne jewellery Susan Cohn opening Joyaviva at RMIT Gallery, Melbourne 9 February 2012

Joyaviva

Live jewellery across the Pacific

First of all, I want to apologise. There’s a very good chance this opening talk is going to be full of contradictions …

Life is so strange.

We all become concerned at some stage with our social skills, I can feel totally inept, scared of making a fool of myself. And on those occasions, such as now, depending on what insecurities I am feeling at the time I will call on whatever forces – gods, goddesses, obi-wan Kenobi, Cat woman, tinker bell –– to help me live through the moment.

Here is where the contradiction kicks in.

I don’t believe in the power of outside forces, especially illusionary ones,

I don’t believe in luck or miracles.

Shit just happens.

And yet the contradictions bounce back again.

I do think that people can endow objects with their emotional desires and beliefs, and then use them effectively to reinforce the difficulties they face in their lives. But, to be truthful, I don’t quite understand how this transformation happens, but I have seen it in action.

I am immensely curious, as a jeweller, about how jewellery will talk to,

and for people. I am always attuned to the ways jewellery is lived,

co-opted as part of our daily routines, conversations, displays and transgressions.

We live in a time when societies are designing new languages for living.

I have always believed jewellery to be a dynamic force for survival,

it talks about belonging, it attracts a mate, it is a promise traded through personal exchange, all of which will drive community spirit.

It is through all our experiences that belonging is reinforced,

and it is through belonging that we learn about ourselves.

Contemporary jewellers voice ideas about belonging through the objects they make. These ideas are founded in a shared creative landscape that reaches beyond the group.

In Joyaviva – live jewellery – the focus lies in the power of the jewellery charm. You don’t have to believe that objects are lucky to understand

how a charm can give hope, or power to face reality.

Each of the works in this exhibition responds to a moment in time, and its ongoing story. Jewellers from Australia, New Zealand and Chile

have considered the world around them with its daily challenges, and unexpected catastrophes. Using common everyday features

with readily recognised materials these jewellers are exploring the feelings

associated with wearing jewellery and everyday life, and how the wearing of these jewellery pieces may help us to cope with difficult experiences.

And if we look close enough, they are also offering us an insight into the similarities and differences within cultures, all of which suggests that jewellery may be approaching something like a universal language for belonging.

Joyaviva is a multi-layered exhibition,it is a conversation between makers and wearers and onlookers. Under the expert gaze of Kevin Murray, who carries an ever-lasting passion for the language of contemporary jewellery, this exhibition presents us with the thinking and stories, which inspired the jewellery object. And in addition to this exhibition presentation – which will be travelling in a suitcase to many cities –

there is an interactive website for following stories about the objects, for

participating in the journey of a charm, or to simply contribute to the conversation about what jewellery is.

So I invite you to take a look, and join in.

After all, life is so strange.

‘Life is very strange’: Joyaviva opens

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Joyaviva had its first opening at RMIT Gallery on Thursday night. The gallery with packed with people pouring over the intriguing objects, surrounded by touching stories of their use.

Melbourne jeweller Susan Cohn gave the opening remarks. She talked about the contradiction of using objects ‘to help me get through the moment’, while not believing in the power of outside forces. For her, jewellery makes connections – to people, causes, worlds. She claimed that ‘Jewellery is a universal language of belonging’.

Cohn praised the way artists in Joyaviva responded to the moment in time and it’s ongoing story. ‘They considered the world around them, with its daily challenges and catastrophes.’ They did this by drawing on materials of the moment. Cohn’s final words were, ‘Life is very strange’.

Thought the opening clashed with the international Jemposium at Wellington, quite a few of the artists were present, including Claudia Bettencourt and Nano Pulgar from Chile, Alice Whish from Sydney, and Jin ah Jo, Caz Guiney, Gina Ropiha and Blanche Tilden from Melbourne.

The show continues at RMIT until 24 March. It will re-open in Sydney at UTS Gallery on 1 August, then go to Auckland, Chile, Bolivia and Mexico.